Oh, Rosalita-With Marilyn Monroe, Montgomery Clift and Clark Gable’s Film Adaptation Of Arthur Miller’s “The Misfits” In Mind

Oh, Rosalita-With Marilyn Monroe, Montgomery Clift and Clark Gable’s Film Adaptation Of Arthur Miller’s “The Misfits” In Mind     

By Zack James

Maybe it was something in the drinking water but Louis Lyons was beside himself once he figured out the real reason why he spent a couple of weekend nights watching a couple of old-time flicks, films which he had gathered in from his Netflix service. Lou had been on a long term kick about watching, or rather re-watching, films, mostly black and white from his checkered seedy random youth. In those days he would have viewed such films not on his HD television or via the stream of his computer but at his local theater, The Majestic, in his hometown of Oxford out in Western Massachusetts now long since closed where he would spent many an ungodly Saturday afternoon  viewing the current fare. The “ungodly’ part for real his parents were devout Sixth Day Anabaptists whose day of worship started midday Saturday and ended at dawn Sunday morning and although they were liberal enough to see that Lou would have snuck out anyway always cast that epitaph his way when he came sheepishly through the door after being hunkered with a box of made last popcorn and some candy bars purchased at Billy’s Variety and “snuck” in under the watch-less eyes of the ushers. Later in high school, having grown out of kids’ clothing and Saturday matinees about the same time, he let those epitaphs flow off his back like water off a duck after coming in late on Saturday nights. Reason: or one of the reasons, Lottie Larson who was the first girl who accepted his invitation when he asked her the locally famous, locally high school movie date night, question-balcony or orchestra? Orchestra meant maybe one date and out but balcony meant promise of anything from a “feel” inside or out of some girl’s cashmere sweater to a tight space blow job.            

This trip, this diversion down rural hills nostalgia road, has a purpose since it was on the same track that was bothering Lou’s old mind. The eternal, infernal, ways of sex which had one way or another bothered Lou’s mind since puberty, maybe before if Doctor Freud and his acolytes were right. The association played out this way. On Friday night he had watched for the umpteenth time one of his all-time favorite films the film adaptation of Ernest Hemingway’s To Have And Have Not starring Lauren Bacall and Humphrey Bogart. One of the reasons that he favored that film is that although he did not see it when it had come out since he was only a dream in his parents’ way of life in 1941 when the film had come out when he saw it in retrospective in college at the Brattle Theater in Harvard Square he had told his date, name now long forgotten in memory, that some of the scenes in that classic were as hot, maybe hotter, between two people with their clothes fully on than half the porno being featured in the Combat Zone in downtown Boston. (Lou vaguely remembered that night was a hot date night with that unremembered young woman when they had gone back to her place on Commonwealth Avenue.) After that recent viewing though he had remarked to his wife, his third wife, Moira, that given the best of it Captain Morgan, Bogie’s role, a craggy sea salt, and Marie, the Bacall role, that he had to be at least twice her age, maybe more. (He had actually looked it up on Wikipedia and found Bogie was forty-five and Bacall nineteen at the time so the “maybe more” was definitely in play). That started a short discussion between them about younger women being attracted to older men (as a sign of some kind of distorted social norm older men being attracted to younger women never made it to the conversation table). No conclusions were drawn at the time by Lou.                   

Saturday night Moira was out attending her weekly bridge party with some of her girlfriends and Lou wound up watching the other film the film adaptation of Arthur Miller’s The Misfits starring Marilyn Monroe and Clark Gable (with serious supporting roles by Montgomery Clift, Eli Wallach, and Thelma Ritter). Once again maybe giving Clark, playing Gaye, a decided edge in the looks department over Bogie and the fact of being a real cowboy over a sea captain an older man was attractive to a younger woman, Rosalyn, played by Marilyn Monroe. Lou, a little younger than the older brothers and fathers who saw Ms. Monroe as the epitome of 1950s sexual allure and beauty, had seen the film when he was in high school, alone if he recalled.        

The question of younger women being attracted to older men would not have stuck out as much it had those nights on the first viewing of the films back in the day but since then there had been Rosalita, his second wife, the wife that Lou had left for Moira. The main reason, although not the only reason, had been the wide gap in age between them, Rosalita had been twenty-five and he almost fifty when he spied her one night in San Francisco at the City Lights Bookstore, the famous one run by Lawrence Ferlinghetti and the big “beat” hang-out back in the 1950s when being “beat” mean something socially unlike later when he tried to emulate them and got nothing but laughs for digging something, a scene so passé. He was trolling the place, literally, since he had just got divorced back in Massachusetts from his first wife, Anna, and after the acrimonious settlement decided he needed to head west and make a new start. Needed the company of a woman as well and somebody he had run into at Ginny’s Bar in North Beach had told him that if you were looking for a certain type woman, intellectually curious, maybe a little off-kilter, maybe easy too then in San Francisco you hit the bookstores and City Lights was a magnet. (That “custom” was not confined to Frisco Town he had met Moira at the Museum of Fine Arts in Boston under the same imperative).          

Lou had been looking for a copy of Allen Ginsberg’s poem Howl (in a book which came with other poems as well) since that was one of

his favorite poems, if not his most favorite then. Then this thin, brown-eyed, black-haired good-looking young women whom he at first thought was Spanish, maybe from Mexico given where he was came up behind him and started going on and on about Ginsberg who had just died a few years before. (Rosalita was not Spanish at all but Irish her mother just liked the name.) He was shocked that anybody under the age of forty would know anything about Ginsberg and the important of his poem not only as a break in the kind of poem that was acceptable in polite society but the harsh social message Ginsberg was laying down. She, not he, asked if he would like to stop at the café and have a cup of coffee. He figured why not (he did not find out until after they had a couple of subsequent dates that women, women of all ages, also trolled the bookstores looking for men, men who say would be looking at something like Howl which told them the guy could at least read unlike some of the beasts they had run across in the bars or at some off-beat party).      

That afternoon started their affair but Lou was from the start apprehensive about their differences in ages which came up often along the way, for example, when he mentioned that he had been in Washington on May Day, 1971 and had been arrested in the dragnet that the cops and military had set up that day she didn’t understand, could not get around the idea that people would try to shut down the government if it did not stop the Vietnam War. At times they could work through it like that first day with Ginsberg (she turned out to have been an English major at Berkeley) but other times, times when she tried to coax him into jogging which she was crazy about they would fight civil war worthy battles. He always had the sneaking suspicion that Rosalita was not telling the truth when she mentioned that she had had trouble with her male peers, boys she called them, and had been attracted to older men ever since her father had abandoned her family when she was twelve. She had told him repeatedly that she was looking for the maturity and security that an older man would bring. Lou could never really get that through his head and eventually his tilted his behavior toward giving dear Rosalita reason to boot him out the door. (On top of meeting Moira closer in age to him at the museum when for one last effort to reconcile they had moved to Boston).

That The Misfits movie night Lou had finally figured out, too late like lots things in his life, maybe Rosalita had been just like Marie and Rosalyn needing a safe harbor. Damn.