The Magnificent Seven- Potshot-A
Spenser Crime Novel by Robert B. Parker-A Review
Book Review
By Sam Lowell
Potshot, Robert B. Parker, G.P. Putnam’s Sons, New York,
2001
Of late I have been on something of a Spenser crime
detection novel run, you know those sagas of the Boston-based P.I. with the big
burly physique and the no nonsense grit
and determination to see a case through to the end, the bitter end if
necessary, written by the late Robert B. Parker. I started out several reviews
of those books by explaining that most of the year when I review books I review
high-toned literary masterpieces or squirrelly little historical books fit for
the academy. I also said that come summer time you never know will turn up on
your summer reading list and why. So blame this run on the summer heat if you
must. I confessed that like any other
heated, roasted urban dweller I was looking for a little light reading to while
away the summer doldrums. Then I went into genesis about how I wound up running
the rack, or part of the rack, after all there were some forty Spenser books in
the series before Parker passed away in 2010.
I will get to the review of his 2001 effort Potshot in a minute after I explain how I came to read for crying out loud yet another Parker crime
novel.
See, as I have mentioned elsewhere of late in reviewing some
of the other Parker-etched books every year when the doldrums come I
automatically reach for a little classic crime detection from the max daddy
masters of the genre Raymond Chandler or Dashiell Hammett from my library to
see the real deal, to see how the masters worked their magic, in order to
spruce up (and parse, if possible) my own writing. This past summer when I did
so I noticed a book Poodle Spring by
Raymond Chandler and Robert B. Parker. This final Philip Marlowe series book
was never finished by Chandler before he died in 1959. Parker finished it up in
1989.
Robert B. Parker, of course, had been a name known to me as
the crime novel writer of the Spenser series of which I had read several of the
earlier ones before moving on to others interests. That loss of interest
centered on the increasingly formulistic way Parker packaged the Spenser
character with his chalk board scratching to my mind repetition of his eating
habits, his culinary likes and dislikes, his off-hand racial solidarity banter
with his black compadre Hawk, his continually touting Spenser’s physical and
mental “street cred” toughness and his so-called monogamous and almost
teenage-like love affair with his flame, Susan. They collectively did not grow
as characters but became stick figures serving increasingly less interesting
plots.
Checking up on what Parker had subsequently written in the
series to see if I had been rash in my judgment I noticed and grabbed another
Chandler-Parker collaboration or sorts reviewed in this space previously Perchance
To Dream: Robert B. Parker’s Sequel To Raymond Chandler’s The Big Sleep. Since
I was on a roll, was being guided by the ghost of Raymond Chandler maybe, I
decided to check out Spenser again. And because we still had several weeks left
of summer and crime novels have the virtue of not only being easy on the brain
in the summer heat but quick reads I figured to play out my hand a little and
read a few other Parker works. Now we are all caught up on genesis.
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