***From The Pen Of Joshua Lawrence Breslin –Alfred Hitchcock’s “Rear Window”-A Film Review
DVD Review
Rear Window, starring Jimmy Stewart, Grace Kelly, Raymond Burr, directed by Alfred Hitchcock, Paramount Pictures, 1954
Most of us who live in the city, and maybe many who live in the suburbs as well, do so to be somewhat anonymous or to escape from the prying old childhood neighborhoods when everybody knew everybody else’s business, or wanted to know it. Especially when some mother’s Johnnie or Janie did something better than your mother’s Johnnie or Janie. Harmless stuff. City or suburb though most people who want to have their privacy can have it, if they determinedly fight for it. But let’s say one is stuck in one’s urban abode (New York City urban abode, Greenwich Village urban abode to boot), one has a set of binoculars, and a very vivid photo-journalist’s imagination (played by Jimmy Stewart) or the ability to put two and two together occasionally. Then you have the plot line for an Alfred Hitchcock suspense thriller like the one under review, Rear Window.
Oh, yes, throw in drop- dead beautiful model for a girlfriend (played by Grace Kelly) to help with the heavy lifting you are unable to do and you are off to the races. Oh yes, as well, throw in a nefarious evil-doer, a wife-murderer (played by Perry Mason, oops, Raymond Burr) seen across the court yard from the rear window of your confined abode and anything can happen, or almost anything. The trick is to use your strong sense of investigative powers, your Dick Tracey -taught ability to put clues together and an unforgivable, yes, unforgiveable habit of putting that fetching girlfriend in harm's way and you have an A-One film. Throw in some wit by a world-wise nurse (played by Thelma Ritter) and a skeptical police officer (played by Wendell Corey) and well that is that.
Note: Forget all that stuff about helpful girlfriends (okay, okay fiancés) being put in harm’s way by photo-op crazed journalists I have a small bone, no, a very large bone to pick with one Jimmy Stewart. Why on this good green earth would anyone in their right mind, much less a hubby-to-be, allow anyone to touch one hair on the head of one Grace Kelly. I was too young to appreciate her beauty when I was kid as I was strictly into women (oops, girls) with stick shapes and winsome toothy smiles but some women in this world are just not built for the rough stuff of city life (or suburban life for that matter). I probably just balled all of this up so let me put it this way as I have on other occasions when dealing with Grace Kelly films. One story had it that her husband, Prince Rainer of Monaco, a man not known to show much public emotion, openly wept at her funeral. Now I know why.
DVD Review
Rear Window, starring Jimmy Stewart, Grace Kelly, Raymond Burr, directed by Alfred Hitchcock, Paramount Pictures, 1954
Most of us who live in the city, and maybe many who live in the suburbs as well, do so to be somewhat anonymous or to escape from the prying old childhood neighborhoods when everybody knew everybody else’s business, or wanted to know it. Especially when some mother’s Johnnie or Janie did something better than your mother’s Johnnie or Janie. Harmless stuff. City or suburb though most people who want to have their privacy can have it, if they determinedly fight for it. But let’s say one is stuck in one’s urban abode (New York City urban abode, Greenwich Village urban abode to boot), one has a set of binoculars, and a very vivid photo-journalist’s imagination (played by Jimmy Stewart) or the ability to put two and two together occasionally. Then you have the plot line for an Alfred Hitchcock suspense thriller like the one under review, Rear Window.
Oh, yes, throw in drop- dead beautiful model for a girlfriend (played by Grace Kelly) to help with the heavy lifting you are unable to do and you are off to the races. Oh yes, as well, throw in a nefarious evil-doer, a wife-murderer (played by Perry Mason, oops, Raymond Burr) seen across the court yard from the rear window of your confined abode and anything can happen, or almost anything. The trick is to use your strong sense of investigative powers, your Dick Tracey -taught ability to put clues together and an unforgivable, yes, unforgiveable habit of putting that fetching girlfriend in harm's way and you have an A-One film. Throw in some wit by a world-wise nurse (played by Thelma Ritter) and a skeptical police officer (played by Wendell Corey) and well that is that.
Note: Forget all that stuff about helpful girlfriends (okay, okay fiancés) being put in harm’s way by photo-op crazed journalists I have a small bone, no, a very large bone to pick with one Jimmy Stewart. Why on this good green earth would anyone in their right mind, much less a hubby-to-be, allow anyone to touch one hair on the head of one Grace Kelly. I was too young to appreciate her beauty when I was kid as I was strictly into women (oops, girls) with stick shapes and winsome toothy smiles but some women in this world are just not built for the rough stuff of city life (or suburban life for that matter). I probably just balled all of this up so let me put it this way as I have on other occasions when dealing with Grace Kelly films. One story had it that her husband, Prince Rainer of Monaco, a man not known to show much public emotion, openly wept at her funeral. Now I know why.
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