***From The Pen Of Joshua Lawrence Breslin- Handsome Johnnie’s Revenge –Alfred Hitchcock’s “Suspicion”
DVD Review
Suspicion, starring Cary Grant, Joan Fontaine, directed by Alfred Hitchcock, RKO Radio Pictures, 1941
Everybody knows, well, knows since Dorothy Parker uttered the words, that gentlemen don’t make passes at girls that wear glasses. Period. Well, period, except hard up ne’er-do- well besotted, benighted, be-, well, bedeviled and be done with it, handsome Johnnies gents who are slightly arrears on their rent or I.O.U. obligation to their bookmakers. The glasses, four-eyes, six-eyes, hell, three eyes are in play then especially if they are well brought up love-starved country gentry daughters with a little dowry, or hopes of one. And especially when that certain girl, woman, when she takes off said glasses is well, by the ugly duckling turning camera magic, fetching. And that in a nutshell is the lead-up to this early Alfred Hitchcock classic under review, Suspicion.
A few details will help to tell why there is suspense in Suspicion (although not as much as in say the later Psycho, etc. when Hitchcock went over the edge and started to scare the bejesus out of every brave pre-teen and teen boy and girl on the earth by NOT showing us what evil lurked in the hearts of men). Johnnie, well-mannered but broke Johnnie (played by Cary Grant, who else would fit as the downwardly mobile British gent), “courts” one plain jane (don’t be deceived like I was at first by the glasses) country house gentry (meaning in those days running after foxes, et. al) daughter Lina (played by Academy Award-winning Joan Fontaine), wins her over and they are married. He has no illusions in what he is doing (mainly male gold-digging in order to maintain a studious avoidance of anything that smacks of work and anything that doesn’t smack of making a sure thing bet on race day) she, intelligent enough although not really world-wary has more than a few.
Up until that point, and somewhat beyond that point, this film is basically a comedy of manners in the old fashion sense. But eventually Johnnie’s gambling debts and thefts start to crowd in on him, and her. And a whole series of events occur that make Lina, well, suspicious that dear old bean Johnnie boy might just get under from under his obligations by putting her under, under the ground. Murder, murder and nothing else is surly in the air. The problem, or really two problems, though are no way, no way in hell can one make playboy Johnnie out as a murder one guy, and problem number two no way, no way in hell, once you take the glasses off, is fetching Lina slated for an early visit to the morgue. Like the title says suspicion, nothing to it but suspicion as the lovers reconcile.
DVD Review
Suspicion, starring Cary Grant, Joan Fontaine, directed by Alfred Hitchcock, RKO Radio Pictures, 1941
Everybody knows, well, knows since Dorothy Parker uttered the words, that gentlemen don’t make passes at girls that wear glasses. Period. Well, period, except hard up ne’er-do- well besotted, benighted, be-, well, bedeviled and be done with it, handsome Johnnies gents who are slightly arrears on their rent or I.O.U. obligation to their bookmakers. The glasses, four-eyes, six-eyes, hell, three eyes are in play then especially if they are well brought up love-starved country gentry daughters with a little dowry, or hopes of one. And especially when that certain girl, woman, when she takes off said glasses is well, by the ugly duckling turning camera magic, fetching. And that in a nutshell is the lead-up to this early Alfred Hitchcock classic under review, Suspicion.
A few details will help to tell why there is suspense in Suspicion (although not as much as in say the later Psycho, etc. when Hitchcock went over the edge and started to scare the bejesus out of every brave pre-teen and teen boy and girl on the earth by NOT showing us what evil lurked in the hearts of men). Johnnie, well-mannered but broke Johnnie (played by Cary Grant, who else would fit as the downwardly mobile British gent), “courts” one plain jane (don’t be deceived like I was at first by the glasses) country house gentry (meaning in those days running after foxes, et. al) daughter Lina (played by Academy Award-winning Joan Fontaine), wins her over and they are married. He has no illusions in what he is doing (mainly male gold-digging in order to maintain a studious avoidance of anything that smacks of work and anything that doesn’t smack of making a sure thing bet on race day) she, intelligent enough although not really world-wary has more than a few.
Up until that point, and somewhat beyond that point, this film is basically a comedy of manners in the old fashion sense. But eventually Johnnie’s gambling debts and thefts start to crowd in on him, and her. And a whole series of events occur that make Lina, well, suspicious that dear old bean Johnnie boy might just get under from under his obligations by putting her under, under the ground. Murder, murder and nothing else is surly in the air. The problem, or really two problems, though are no way, no way in hell can one make playboy Johnnie out as a murder one guy, and problem number two no way, no way in hell, once you take the glasses off, is fetching Lina slated for an early visit to the morgue. Like the title says suspicion, nothing to it but suspicion as the lovers reconcile.
No comments:
Post a Comment