*****I Hear The Voice Of My Arky
Angel-Once Again-With Angel Iris Dement In Mind
From The Pen Of Frank Jackman
SWEET FORGIVENESS (Iris DeMent)
(c) 1992 Songs of Iris/Forerunner
Music, Inc. ASCAP
Sweet forgiveness, that's what you give
to me
when you hold me close and you say
"That's all over"
You don't go looking back,
you don't hold the cards to stack,
you mean what you say.
Sweet forgiveness, you help me see
I'm not near as bad as I sometimes
appear to be
When you hold me close and say
"That's all over, and I still love
you"
There's no way that I could make up for
those angry words I said
Sometimes it gets to hurting and the
pain goes to my head
Sweet forgiveness, dear God above
I say we all deserve a taste of this
kind of love
Someone who'll hold our hand,
and whisper "I understand, and I
still love you"
AFTER YOU'RE GONE (Iris DeMent)
(c) 1992 Songs of Iris/Forerunner
Music, Inc. ASCAP
There'll be laughter even after you're
gone
I'll find reasons to face that empty
dawn
'cause I've memorized each line in your
face
and not even death can ever erase the
story they tell to me
I'll miss you, oh how I'll miss you
I'll dream of you and I'll cry a
million tears
but the sorrow will pass and the one
thing that will last
is the love that you've given to me
There'll be laughter even after you're gone
I'll find reason and I'll face that
empty dawn
'cause I've memorized each line in your
face
and not even death could ever erase the
story they tell to me
Every once in a while I have to tussle,
go one on one with the angels, or a single angel is maybe a better way to put
it. No, not the heavenly ones or the ones who burden your shoulders when you
have a troubled heart but every once in a while I need a shot of my Arky angel,
Iris Dement. Now while I don’t want to get into a dissertation about the thing,
you know, that old medieval Thomist argument about how many angels can fit on
the end of a needle. Or, Jesus, or get into playing sides in the struggle between pliant
wimpy god-like angels and defiant hellion devil-like angels in the battles in the heavens
over who would rule the universe that the great revolutionary English poet from
the time of the 17th century English
revolution of blessed memory, you know old Jehovah fearing Oliver Cromwell time, John Milton, when he got seriously exercised over
that notion in Paradise Lost. However I do believe we our faced, vocally faced
with someone who could go mano y mano with whoever wants to enter into the
lists against her.
Yes, and I know too that that “angel,” earthly
material five feet plus of flesh and bone angel thing has been played out much
too much in the world music scene, the popular music scene, you know rock and roll
in the old days and now mainly hip-hop. You could hardly live a 1950s childhood
extending into a 1960 coming of age teenage-hood without being bombarded by every kind of angel
every time you put your quarter in the jukebox especially if the other hand
attached to that quarter, as it usually was had been your everlovin’ dreamy date who just
had to hear you compare her to the Earth Angel of the then currently popular
song.
On a more sober note when some poor by the midnight telephone (now cellphone, okay, Smartphone) girl was beside herself when her Johnny did not call at nine like he said he would and she wanted to deny reality, a reality pointed out to her by her best friend one Monday morning before school talkfest that her Johnny Angel just couldn’t keep one girl happy but had to play the field (including an almost successful run at that best girlfriend). Going to the distaff side (nice old-fashioned word, right) some Honky-Tonk Angel who was lured into the night life, who went back to the wild side of life where the wine and liquor flowed and she was just waiting there to be anybody’s darling who would eventually be done in by her own her own hubris, Hank’s morbid angel of death that seemed to hover over his every move until the big crash out, until the lights flickered out.
On a more sober note when some poor by the midnight telephone (now cellphone, okay, Smartphone) girl was beside herself when her Johnny did not call at nine like he said he would and she wanted to deny reality, a reality pointed out to her by her best friend one Monday morning before school talkfest that her Johnny Angel just couldn’t keep one girl happy but had to play the field (including an almost successful run at that best girlfriend). Going to the distaff side (nice old-fashioned word, right) some Honky-Tonk Angel who was lured into the night life, who went back to the wild side of life where the wine and liquor flowed and she was just waiting there to be anybody’s darling who would eventually be done in by her own her own hubris, Hank’s morbid angel of death that seemed to hover over his every move until the big crash out, until the lights flickered out.
There’s my favorite, no question,
though showing just how recklessly secular the angel angle could spin on a platter,
no question, Teen Angel. And this will put paid to the notion that the teens in
those days were any smarter in going about the business of being a teenager
than today’s crop. Let me give few details and if you don’t believe me then
just go God Google the lyrics and be done with it. Some, I don’t know how else to
say it although I will give advanced apologies to the rest of women-kind, some maybe
sixteen year old bimbo of unknown intelligence but you decide for yourselves once you hear the story line and of unknown
looks whose boyfriend’s car got stuck on a railroad track one Friday date night
after a full course of heavy breathing, you can figure the doing what part, down at the local beach, the boyfriend got her out safely and
yet she went running back, running back to get his two-bit class ring, a ring
that he had probably given to half the girls in school before her, and did not
come out alive. Of course the guy was broken up about it, probably personally wrote
the words to the song for the guy who sang the song for all I know but let’s
leave it at this since I don’t like to speak unkindly of the dead, even the reckless
dead, RIP, sister, RIP.
So that's off my chest. No, that fleet of angle-tipped songs are strictly
from nowhere, I will take my sensible Arky angel, take her with a little
sinning on the side if you can believe there is any autobiographical edge to
some of the songs she sings, take her with a little forlorn lilt in her voice,
take her since she has seen the seedy side of life. Seen “from hunger” days and
heart hurts. Yeah, that is how I like my angels. Alive as hell and well.
Every once in a while when I am blue,
not a Billie Holiday blue, the blues down in the depths when you have to just
hear her, flower in hair, maybe junked up, maybe clean, hell, it did not
matter, when she hit her stride, and she “spoke” you out of your miseries, but
maybe just a passing blue I needed to hear a voice that if there was an angel
heaven voice Iris would be the one I would want to
hear.
I first heard Iris DeMent doing a cover
of a folksinger-songwriter Greg Brown’s tribute to Jimmy Rodgers, the old time
Texas yodeler discovered around same time as the original Carter Family in the
late 1920s out in some Podunk town in Tennessee when the new-fangled
radio and the upstart small independent record companies were desperate for
roots music to feed their various clienteles whatever soap, flour, detergent, deodorant
their hungry advertisers had to sell, on his tribute album, Driftless. I
then looked for her solo albums and for the most part was blown away by the
power of Iris’ voice, her piano accompaniment and her lyrics (which are
contained in the liner notes of her various albums, read them, please). It is
hard to type her style. Is it folk? Is it Country Pop? Is it semi-torch
songstress? Well, whatever it maybe that Arky angel is a listening treat,
especially if you are in a sentimental mood.
Naturally when I find some talent that
“speaks” to me I grab everything they sing, write, paint, or act I can find. In
Iris’ case there is not a lot of recorded work, with the recent addition of Sing
The Delta just four albums although she had done many back-ups or harmonies
with other artists most notably John Prine. Still what has been recorded blew
me away (and will blow you away), especially as an old Vietnam War era veteran
her There is a Wall in Washington about the guys who found themselves on
the Vietnam Memorial without asking for the privilege or knowing what the hell they were fighting
for in that hellish war, probably one of the best anti-war songs you will ever
hear. That memorial containing names very close to me, to my heart and I shed a
tear each time I even go near the memorial when I am in D.C. It is fairly easy
to write a Give Peace a Chance or Where Have All the Flowers Gone?
sings-song type of anti-war song. It is another to capture the pathos of what
happened to too many families when we were unable to stop that war.
The streets of my old-time growing up
neighborhood are filled with memories of guys I knew, guys who didn’t make it
back, guys who couldn’t adjust coming back to the “real world” and wound up in
flop houses, half-way houses, and along railroad “jungle” camps and also strangely enough these days given my own experiences guys
who could not get over their not going into the service, in retrospect, to
experience the decisive event of our generation, the generation of ‘68.
Other songs that have drawn my
attention like When My Morning Comes hit home with all the baggage
working class kids have about their inferiority when they screw up in this
world. Walking Home Alone evokes all the humor, bathos, pathos and sheer
exhilaration of saying one was able to survive, and not badly, after growing up
poor, Arky poor amid the riches of America. (That may be the “connection” as I
grew up through my father coal country Hazard, Kentucky poor.)
Frankly, and I admit this publicly in
this space, I love Ms. Iris Dement. Not personally, of course, but through her
voice, her lyrics and her musical presence. This “confession” may seem rather
startling coming from a guy who in this space is as likely to go on and on
about Bolsheviks, ‘Che’, Leon Trotsky, high communist theory and the like.
Especially, as well given Iris’ seemingly simple quasi- religious themes and
commitment to paying homage to her rural background in song. All such
discrepancies though go out the window here. Why?
Well, for one, this old radical got a
lump in his throat the first time he heard her voice. Okay, that happens
sometimes-once- but why did he have the same reaction on the fifth and twelfth
hearings? Explain that. I can easily enough. If, on the very, very remotest
chance, there is a heaven then I know one of the choir members. Enough said. By
the way give a listen to Out Of The Fire and Mornin’ Glory. Then
you too will be in love with Ms. Iris Dement.
Iris, here is my proposal, once again. (I
have made the offer in other spaces reviewing her work more seriously.) If you
get tired of fishing up in the U.P., or wherever, with Mr. Greg Brown, get
bored with his endless twaddle about old Iowa farms and buxom aunts, about the
trials and tribulations of Billy from the hills, or going on and on about
Grandma's fruit cellar just whistle. Better yet just yodel like you did on Jimmie
Rodgers Going Home on that Driftless CD. Okay.
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