I Hear Mother Africa Calling-With The Late Odetta In Mind
By Ray Carter
They say that the blues, you know, the quintessential black
musical contribution to the American songbook along with first cousin jazz that
breaks you out of your depression about whatever ails you or the world, was
formed down in the Mississippi muds, down in some sweat-drenched bayou, down in
some woody sunken hollow all near Mister’s plantation, mill, or store. Well
they might be right in a way about how it all started in America as a coded
response to Mister’s, Master’s, Captain’s wicked perverse ways back in slavery
times, later back in Mister James Crow times.
I do believe however they are off
by several maybe more generations and off by a few thousand miles from its
origins in hell-bent Africa, hell-bent when Mister’s forbears took what he
thought was the measure of some poor grimy “natives” and shipped them in death
slave boats, those that survived the Middle Passage of seasick death and disease
making one think of once owned by William Ruskin W.B.T. Turner’s Slave Ship painterly masterpiece of the
sick and dying thrown overboard for bloody insurance wagers which should have
made everyone an abolitionist but didn’t and brought them to the Mississippi
muds, bayous and hollows. Took peoples, proud Nubians, builders and artifacters,
who had created very sharp civilizations when Mister’s forbears were wondering
what the hell a spoon was when placed in their dirty clenched fingers, still
wondered later how the heck to use the damn thing, and why and uprooted them
whole.
Uprooted you hear but somehow that beat, that tah, tat, tah,
tah, tat, tah played on some stretched string tightened against some cabin post
by young black boys kept Africa home alive. Kept it alive while women, mothers,
grandmothers and once in a while despite the hard conditions some
great-grandmother who nursed and taught the little ones the old home beat, made
them keep the thing alive. Kept alive too Mister’s forced on them churched religion
strange as it was, kept the low branch spirituals that mixed with blues alive
in plain wood churches but kept it alive. So a few generations back black men
took all that sweat, anger, angst, humiliation, and among themselves “spoke”
blues on juke joint no electricity Saturday nights and sang high white collar
blues come Sunday morning plain wood church time. Son House, Charley
Patton, Skip James, Sleepy John Estes, Mississippi John Hurt and a lot of other
guys who went to their graves undiscovered in the sweat sultry Delta night
carried on, and some sisters too, some younger sisters who heard the beat and
heard the high collar Sunday spirituals.
Kept alive by some sisters like Odetta, did she need
another name, a Mister slave name to complete his domination, big-voiced, who
made lots of odd duck searching for roots white college students mainly marvel
that they had heard some ancient Nubian Queen, some deep-voiced Mother Africa
calling them back to the cradle of civilization. Our collective birth home.
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