The Hills And Hollas Of Home- In Honor Of The Late Hazel Dickens
By Lance Lawrence
Kenny
Jackman heard the late Hazel Dickens (d. 2011) for the very first time on her
CD album It’s Hard To Tell The Singer From The Song some years back,
maybe 2005, when he was in thrall to mountain music after being hit hard by
Reese Witherspoon’s role as June Carter in the film Walk The Line. At
that time he got into all things Carter Family unto the nth generation. A
friend, a Vermont mountain boy, hipped him to Hazel during his frenzy and he
picked up the CD second-hand in Harvard Square. (Really at Sandy’s located
between Harvard and Central Squares, a folk institution around town where until
recently Sandy had held forth since the early 1960s folk minute when everybody
was desperately looking for roots music and that was the place to look first.
Hazel’s You’ll Get No More Of Me, A Few Old Memories and the classic Hills
of Home knocked him out. The latter, moreover, seemed kind of familiar and
later, a couple of months later, he finally figured out why. He had really
first heard Hazel back in 1970 when he was down in the those very hills and
hollows that are a constant theme in her work, and that of the mountain mist
winds music coming down the crevices. What was going on though? Was it 2005
when he first heard Hazel or that 1970 time? Let me go back and tell that 1970
story.
Kenny
Jackman like many of his generation of ’68 was feeling foot loose and fancy
free, especially after he had been mercifully declared 4-F by his friendly
neighbors at the local draft board in old hometown North Adamsville (declared
4-F in those high draft days because he had a seriously abnormal foot problem
which precluded walking very far, a skill that the army likes its soldiers to
be able to do). So Kenny, every now and again, took to the hitchhike road, not
like his mad man friend Peter Paul Markin with some heavy message purpose a la
Jack Kerouac and his beat brothers (and a few sisters) but just to see the
country while he, and it, were still in one piece no pun intended Kenny told me
since the country was in about fifteen pieces then).
On
one of these trips he found himself stranded just outside Norfolk, Virginia at
a road-side campsite. Feeling kind of hungry one afternoon, and tired, tired
unto death of camp-side gruel and stews he stopped at a diner, Billy Bob
McGee’s, an old-time truck stop diner a few hundred yards up the road from his
camp for some real food, maybe meatloaf or some pot roast like grandma used to
make or that was how it was advertised. When he entered the mid-afternoon
half-empty diner he sat down at one of the single stool counter seats that
always accompany the vinyl-covered side booths in such places. But all of this
was so much descriptive noise that could describe a million, maybe more, such
eateries. What really caught his attention though was a waitress serving them “off
the arm” that he knew immediately he had to “hit” on (although that is not the
word used in those days but “hit on” conveys what he was up to in the universal
boy meets girl world). As it turned out she, sweetly named Fiona Fay, and, well
let’s just call her fetching, Kenny weary-eyed fetching, was young, footloose
and fancy free herself and had drawn a bead on him as he entered the place,
and, …well this story is about Hazel, so let us just leave it as one thing led
to another and let it go at that.
Well,
not quite let’s let it go at that because when Kenny left Norfolk a few days
later one ex-waitress Fiona Fay was standing by his side on the road south. And
the road south was leading nowhere, nowhere at all except to Podunk, really
Prestonsburg, Kentucky, and really, really a dink town named Pottsville, just
down the road from big town Prestonsburg, down in the hills and hollows of
Appalachia, wind-swept green, green, mountain mist, time forgotten . And the
reason two footloose and fancy free young people were heading to Podunk is that
a close cousin of Fiona’s lived there with her husband and child and wanted
Fiona to come visit (visit “for a spell” is how she put it but I will spare the
reader the localisms). So they were on that hell-bend road but Kenny, Kenny was
dreading this trip and only doing it because, well because Fiona was the kind
of young woman, footloose and fancy free or not, that you followed, at least
you followed if you were Kenny Jackson and hoped things would work out okay.
What
Kenny dreaded that day was that he was afraid to confront his past. And that
past just then entailed having to go to his father’s home territory just up the
road in Hazard. See Kenny saw himself as strictly a Yankee, a hard “we fought
to free the slaves and incidentally save the union” Yankee for one and all to
see back in old North Adamsville. And denied, denied to the high heavens, that
he had any connection with the south, especially the hillbilly south that
everybody was making a fuse about trying to bring into the 20th century around
that time. And here he was with a father with Hazard, Kentucky, the poorest of
the poor hillbillies, right on his birth certificate although Kenny had never
been there before. Yeah, Fiona had better be worth it.
Kenny
had to admit, as they picked up one lonely truck driver ride after another (it
did not hurt in those days to have a comely lass standing on the road with you
in the back road South, or anywhere else, especially if you had longish hair
and a wisp of a beard), that the country was beautiful. As they entered coal
country though and the shacks got crummier and crummier he got caught up in
that 1960s Michael Harrington Other America no running water, outhouse,
open door, one window and a million kids and dogs running around half-naked,
the kids that is vision. But they got to Pottsville okay and Fiona’s cousin and
husband (Laura and Stu) turned out to be good hosts. So good that they made
sure that Kenny and Fiona stayed in town long enough to attend the weekly dance
at the old town barn (red of course, run down and in need of paint to keep red
of course) that had seen such dances going back to the 1920s when the Carter
Family had actually come through Pottsville on their way back to Clinch
Mountain.
Kenny
buckled at the thought, the mere thought, of going to some Podunk Saturday
night “hoe-down” and tried to convince Fiona that they should leave before
Saturday. Fiona would have none of it and so Kenny was stuck. Actually the
dance started out pretty well, helped tremendously by some local “white
lightning” that Stu provided and which he failed to mention should be sipped,
sipped sparingly. Not only that but the several fiddles, mandolins, guitars,
washboards and whatnot made pretty good music. Music like Anchored in Love
and Come All You Fair And Tender Ladies, stuff that he had heard in the
folk clubs in Harvard Square when he used to hang out there in the early 1960s.
And music that even Kenny, old two left-feet, one way out of whack, draft-free
out of whack, Kenny, could dance to with Fiona.
So
Kenny was sipping, well more than sipping, and dancing and all until maybe
about midnight when this woman, this local woman came out of nowhere and began
to sing, sing like some quick, rushing wind sound coming down from the hills
and hollas (hollows for Yankees, okay, please). Kenny began to toss and turn a
little, not from the liquor but from some strange feeling, some strange
womb-like feeling that this woman’s voice was a call from up on top of these
deep green hills, now mist-filled awaiting day. And then she started into a
long, mournful version of Hills of Home, and he sensed, sensed strongly
if not anything he could articulate that he was home. Yes, Kenny Jackson,
Yankee, city boy, corner boy-bred was “home,” hillbilly home. So Kenny did
really hear Hazel Dickens for first time in 1970, see.
[As for Fiona Fay she stayed on the road with Kenny until they headed toward the Midwest where she veered off home to Valparaiso in Indiana, her hometown as Kenny headed west to California, to Big Sur and a different mountain ethos. They were supposed to meet out there a couple of months later after she finished up some family business. They never did, a not unusual occurrence of the time when people met and faded along the way, but Kenny thought about her and that wind-swept mountain dance night for a long time after that.]
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