In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)
By Book Critic Zack James
To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just for kicks, for stuff, important stuff that had happened down in the base of society where nobody in authority was looking or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all-night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. (Yes, I know that the actual term “beat” was first used by Kerouac writer friend John Clemmon Holmes in an article in some arcane journal but the “feel” had to have come from a less academic source so I will crown the bandit prince Corso as genesis)
Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my oldest brother Alex who was washed clean in the Summer of Love, 1967 but must have known the edges of Jack’s time since he was in high school when real beat exploded on the scene in Jack-filled 1957, they called “blowing to the China seas” out in West Coast jazz and blues circles, that high white note he heard achieved one skinny night by famed sax man Sonny Johns, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all Jack’s kid stuff high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the poet princely mean streets of New York, Chi town, Mecca beckoning North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps (and the fleas were real no time for metaphor down in the bowels where the cowboy junkies drowse in endless sleeps, raggedy winos toothless suck dry the dregs and hipster con men prey on whoever floats down), half stirred left on corner diners’ coffees and groundling cigarette stubs when the Bull Durham ran out).
I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well and so very appropriate to mention since there were a million threads, fibers, connections between “beat” and “hippie” despite dour grandpa Jack’s attempts to trash those connection when the acolytes and bandit hangers-on came calling looking for the “word.” So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind (not found on the AAA, Traveler’s Aid, Youth Hostel brochure circuit if you please although Jack and the crowd, my brother and his crowd later would use such services when up against it in let’s say a place like Winnemucca in the Nevadas or Neola in the heartlands).
Literary stuff for sure but the kind of stuff that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter of which would drive Alex west before he finally settled down to his career life as a high-road lawyer (and to my sorrow and anger never looked back which has caused more riffs and bad words than I want to yell about here).
Of course anytime you talk about books and poetry and then add my brother’s Alex name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Frankie, Jack, Jimmy, Si, Josh (he a separate story from up in Olde Saco, Maine and so only an honorary corner boy after hitching up with the Scribe out on a Russian Hill dope-filled park), Bart, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967, their birthright event, just mentioned. Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker, what did Jack call his generation’s such, oh yeah, holy goofs, who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before 1967 (and which nobody in the crowd paid any attention to, or dismissed out of hand, what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.
But it was above all Jack’s book, Jack’s travel adventure book which had caused a big splash in 1957(after an incredible publishing travail since the story line actually related to events in the late 1940s and which would cause Jack no end of trauma when the kids showed up at his door looking to hitch a ride on the motherlode star, and had ripple effects into the early 1960s and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway, like I say I think the best part, have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain, desert night but staying unsettled for a while anyway.
Like I said above Alex was out on the road two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely and semi-tragic end down some dusty Jack-strewn road in Mexico cocaine deal blues. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that for fear of being tarred with those brushes. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly “from hunger” working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some hot chick’s pants any way they could as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little bit “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law back then when the coppers were just waiting for corner boy capers to explode nay Friday or Saturday night, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.
What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan. That was for smooth as silk Frankie now also like Alex a high-road lawyer to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.
The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Bob Dylan above all else.) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)
Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like Jack wrote the final version of the thing on a damn newspaper scroll in about three weeks. So it was through the Scribe via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.
The Son Of Dharma-With Jack Kerouac’s On The Road In Mind
From The Pen Of Sam Lowell
Jack Callahan thought he was going crazy when he thought about the matter after he had awoken from his fitful dream. Thought he was crazy for “channeling” Jack Kerouac, or rather more specifically channeling Jack’s definitive book On The Road that had much to do with his wanderings, got him going in search of what his late corner boy, “the Scribe, Peter Paul Markin called the search for the Great Blue-Pink American West Night (Markin always capitalized that concept so since I too was influenced by the mad man’s dreams I will do so here). That “crazy” stemmed from the fact that those wanderings, that search had begun, and finished, about fifty years before when he left the road for the hand of Chrissie McNamara and a settled life.
But maybe it is best to go back to the beginning, not the fifty years beginning, Jesus, who could remember, maybe want to remember incidents that far back, but to the night several weeks before when Jack, Frankie Riley, who had been our acknowledged corner boy leader out in front of Jack Slack’s bowling alleys from about senior year in high school in 1966 and a couple of years after when for a whole assortment of reasons, including the wanderings, the crowd went its separate ways, Jimmy Jenkins, Allan Johnson, Bart Webber, Josh Breslin, Rich Rizzo, Sam Eaton and me got together for one of our periodic “remember back in the day” get-togethers over at “Jack’s” in Cambridge a few block from where Jimmy lives. We have probably done this a dozen time over the past decade or so, most recently as most of us have more time to spent at a hard night’s drinking (drinking high-shelf liquors as we always laugh about since in the old days we collectively could not have afforded one high-shelf drink and were reduced to drinking rotgut wines and seemingly just mashed whiskeys).
The night I am talking about though as the liquor began to take effect someone, Bart I think, mentioned that he had read in the Globe up in Lowell they were exhibiting the teletype roll of paper that Jack Kerouac had typed the most definitive draft of his classic youth nation travel book, On The Road in honor of the fiftieth anniversary of its publication in 1957. That information stopped everybody in the group’s tracks for a moment. Partly because everybody at the table, except Rich Rizzo, had taken some version of Kerouac’s book to heart and did as thousands, maybe hundreds of thousands of certified members of the generation of ’68 did and went wandering in that good 1960s night. But most of all because etched in everybody’s memory were thoughts of the mad monk monster bastard saint who turned us all on to the book, and to the wanderings, the late Peter Paul Markin.
Yeah, we still moan for that sainted bastard all these years later whenever something from our youths come up, it might be an anniversary, it might be all too often the passing of some iconic figure from those times, or it might be passing some place that was associated with our crowd, and with Markin. See Markin was something like a “prophet” to us, not the old time biblical long-beard and ranting guys although maybe he did think he was in that line of work, but as the herald of what he called “a fresh breeze coming across the land” early in the 1960s. Something of a nomadic “hippie” slightly before his time (including wearing his hair-pre moppet Beatles too long for working class North Adamsville tastes, especially his mother’s, who insisted on boys’ regulars and so another round was fought out to something like a stand-still then in the Markin household saga). The time of Markin’s “prophesies” was however a time when we could have given a rat’s ass about some new wave forming in Markin’s mind (and that “rat’s ass” was the term of art we used on such occasions). We would change our collective tunes later in the decade but then, and on Markin’s more sober days he would be clamoring over the same things, all we cared about was girls (or rather “getting into their pants”), getting dough for dates and walking around money (and planning small larcenies to obtain the filthy lucre), and getting a “boss” car, like a ’57 Chevy or at least a friend that had one in order to “do the do” with said girls and spend some dough at places like drive-in theaters and drive-in restaurants (mandatory if you wanted to get past square one with girls in those days).
Markin was whistling in the dark for a long time, past high school and maybe a couple of years after. He wore us down though pushing us to go up to Harvard Square in Cambridge to see guys with long hair and faded clothes and girls with long hair which looked like they had used an iron to iron it out sing, read poetry, and just hang-out. Hang out waiting for that same “fresh breeze” that Markin spent many a girl-less, dough-less, car-less Friday or Saturday night serenading the heathens about. I don’t know how many times he dragged me, and usually Bart Webber in his trail on the late night subway to hear some latest thing in the early 1960s folk minute which I could barely stand then, and which I still grind my teeth over when I hear some associates going on and on about guys like Bob Dylan, Tom Rush and Dave Von Ronk and gals like Joan Baez, the one I heard later started the whole iron your long hair craze among seemingly rationale girls. Of course I did tolerate the music better once a couple of Cambridge girls asked me if I liked folk music one time in a coffeehouse and I said of course I did and took Markin aside to give me some names to throw at them. One girl, Lorna, I actually dated off and on for several months.
But enough of me and my youthful antics, and enough too of Markin and his wiggy ideas because this screed is about Jack Kerouac, about the effect of his major book, and why Jack Callahan of all people who among those of us corner boys from Jack Slack’s who followed Markin on the roads west left it the earliest. Left to go back to Chrissie, and eventually a car dealership, Toyota, that had him Mr. Toyota around Eastern Massachusetts (and of course Chrissie as Mrs. Toyota). In a lot of ways Markin was only the messenger, the prodder, because when he eventually convinced us all to read the damn book at different points when we were all, all in our own ways getting wrapped up in the 1960s counter-cultural movement (and some of us the alternative political part too) we were in thrall to what adventures Sal Paradise and Dean Moriarty were up to. That is why I think Jack had his dreams after the all-night discussions we had. Of course Markin came in for his fair share of comment, good and bad. But what we talked about mostly was how improbable on the face of it a poor working-class kid from the textile mill town of Lowell, Massachusetts, from a staunch Roman Catholic French-Canadian heritage of those who came south to “see if the streets of America really were paved with gold” would seem an unlikely person to be involved in a movement that in many ways was the opposite of what his generation, the parents of our generation of ’68 to put the matter in perspective, born in the 1920s, coming of age in the Great Depression and slogging through World War II was searching for in the post-World War II “golden age of America.” Add in that he also was a “jock” (no slur intended as we spent more than our fair share of time talking about sports on those girl-less, dough-less, car-less weekend nights, including Markin who had this complicated way that he figured out the top ten college football teams since they didn’t a play-off system to figure it out. Of course he was like the rest of us a Notre Dame “subway” fan), a guy who played hooky to go read books and who hung out with a bunch of corner boys just like us would be-bop part of his own generation and influence our generation enough to get some of us on the roads too. Go figure.
So we, even Markin when he was in high flower, did not “invent” the era whole, especially in the cultural, personal ethos part, the part about skipping for a while anyway the nine to five work routine, the white house and picket fence family routine, the hold your breath nose to the grindstone routine and discovering the lure of the road and of discovering ourselves, and of the limits of our capacity to wonder. No question that elements of the generation before us, Jack’s, the sullen West Coast hot-rodders, the perfect wave surfers, the teen-alienated rebel James Dean and wild one Marlon Brando we saw on Saturday afternoon matinee Strand Theater movie screens and above all his “beats” helped push the can down the road, especially the “beats” who along with Jack wrote to the high heavens about what they did, how they did it and what the hell it was they were running from. Yeah, gave us a road map to seek that “newer world” Markin got some of us wrapped up in later in the decade and the early part of the next.
Now the truth of the matter is that most generation of ‘68ers, us, only caught the tail-end of the “beat” scene, the end where mainstream culture and commerce made it into just another “bummer” like they have done with any movement that threatened to get out of hand. So most of us who were affected by the be-bop sound and feel of the “beats” got what we knew from reading about them. And above all, above even Allen Ginsberg’s seminal poem, Howl which was a clarion call for rebellion, was Jack Kerouac who thrilled even those who did not go out in the search the great blue-pink American West night.
Here the odd thing, Kerouac except for that short burst in the late 1940s and a couple of vagrant road trips in the 1950s before fame struck him down was almost the antithesis of what we of the generation of ’68 were striving to accomplish. As is fairly well known, or was by those who lived through the 1960s, he would eventually disown his “step-children.” Be that as it may his role, earned or not, wanted or not, as media-anointed “king of the beats” was decisive.
But enough of the quasi-literary treatment that I have drifted into when I really wanted to tell you about what Bart Webber told me about his dream. He dreamed that he, after about sixty-five kind of hell with his mother who wanted him to stay home and start that printing business that he had dreamed of since about third grade when he read about how his hero Benjamin Frankin had started in the business, get married to Betsy Binstock, buy a white picket fence house (a step up from the triple decker tenement where he grew up) have children, really grandchildren and have a happy if stilted life. But his mother advise fell off him like a dripping rain, hell, after-all he was caught in that 1960s moment when everything kind of got off-center and so he under the constant prodding of Markin decided to hit the road. Of course the Kerouac part came in from reading the book after about seven million drum-fire assaults by Markin pressing him to read the thing.
So there he was by himself. Markin and I were already in San Francisco so that was the story he gave his mother for going and also did not tell her that he was going to hitchhike to save money and hell just to do it. It sounded easy in the book. So he went south little to hit Route 6 (a more easterly part of that road in upstate New York which Sal unsuccessfully started his trip on. There he met a young guy, kind of short, black hair, built like a football player who called himself Ti Jean, claimed he was French- Canadian and hailed from Nashua up in New Hampshire but had been living in Barnstable for the summer and was now heading west to see what that summer of love was all about.
Bart was ecstatic to have somebody to kind of show him the ropes, what to do and don’t do on the road to keep moving along. So they travelled together for a while, a long while first hitting New York City where Ti Jean knew a bunch of older guys, gypsy poets, sullen hipsters, con men, drifters and grifters, guys who looked like they had just come out some “beat” movie. Guys who knew what was what about Times Square, about dope, about saying adieu to the American dream of their parents to be free to do as they pleased. Good guys though who taught him a few things about the road since they said they had been on that road since the 1940s.
Ti Jean whose did not look that old said he was there with them, had blown out of Brockton after graduating high school where he had been an outstanding sprinter who could have had a scholarship if his grades had been better. Had gone to prep school in Providence to up his marks, had then been given a track scholarship to Brown, kind of blew that off when Providence seemed too provincial to him, had fled to New York one fine day where he sailed out for a while in the merchant marines to do his bit for the war effort. Hanging around New York in between sailings he met guys who were serious about reading, serious about talking about what they read, and serious about not being caught in anything but what pleased them for the moment. Some of this was self-taught, some picked up from the hipsters and hustlers.
After the war was over, still off-center about what to do about this writing bug that kept gnawing at him despite everybody, his minute wife, his love mother, his carping father telling him to get a profession writing wasn’t where any dough was, any dough for him he met this guy, a hard knocks guys who was something like a plebeian philosopher king, Ned Connelly, who was crazy to fix up cars and drive them, drive them anyway. Which was great since Ti Jean didn’t have a license, didn’t know step one about how to shift gears and hated driving although he loved riding shot-gun getting all blasted on the dope in the glove compartment and the be-bop jazz on the radio. So they tagged along together for a couple of years, zigged and zagged across the continent, hell, went to Mexico too to get that primo dope that he/they craved, got drunk as skunks more times than you could shake a stick, got laid more times than you would think by girls who you would not suspect were horny but were, worked a few short jobs picking produce in the California fields, stole when there was no work, pimped a couple of girls for a while to get a stake and had a hell of time while the “squares” were doing whatever squares do. And then he wrote some book about it, a book that was never published because there were too many squares who could not relate to what he and Ned were about. He was hoping that the kids he saw on the road, kids like Bart would keep the thing moving along as he left Bart at the entrance to the Golden Gate Bridge on their last ride together.
Then Bart woke up, woke up to the fact that he stayed on the road too short a time now looking back on it. That guy Ti Jean had it right though, live fast, drink hard and let the rest of it take care of itself. Thanks Markin. 
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