The Old Days In Gay “Closeted, Hell, Entombed ” Hollywood-With a New Book About AIDS Victim Hollywood 1950s He-Man Icon Rock Hudson-Even His Name Dripped Masculinity In Some Quarters In Mind

The Old Days In Gay “Closeted, Hell, Entombed ” Hollywood-With a New Book About AIDS Victim Hollywood 1950s He-Man Icon Rock Hudson-Even His Name Dripped Masculinity In Some Quarters In Mind 

By Seth Garth

Here is a link to a Terry Gross Fresh Air show on NPR about a book about the life and times of 1950s movie icon Rock Hudson by Mark Griffin All That Heaven Allows which forms the backdrop to this commentary:

https://www.npr.org/programs/fresh-air/2018/12/05/673714293/fresh-air-for-dec-5-2018-rock-hudsons-double-life

I suppose I am the one person of the old-time working poor Acre neighborhood of North Adamsville corner boys who should do this commentary on 1950s and before “gay” Hollywood through a book reviewed on NPR about the life and times of masculine icon Rock Hudson who dramatic announcement in the 1980s that he had AIDS brought new light (and more research money) on the disease because of his standing in the Hollywood firmament. I don’t usually put much stock in coincidences although they certainly exist so but I find it ironic that at nearly the same time I was listening to this Fresh Air  with Terry Gross interview that Allan Jackson was maybe three doors away from me writing his defense of himself against all kind of false accusations after he had been purged from his site manager’s job at this publication, including that he was the M.C. of a drag queen club out in San Francisco.      

As Allan subsequently detailed that false accusation, that slander and libel whether it was actionable in a court of law by some of the ”victors” in his ouster was purposefully put on as fact, really alternate fact, when he had wound up in San Francisco visiting his, our old friend and corner boy from highs school days Timmy Riley, now known far and wide in the world of “drag queens” as Miss Judy Garland and the proprietor of the so-called notorious KitKat Club which has since become a major tourist attraction in that city.  

What has come out only recently (although I and a couple of others who had put some money up knew what the situation was) is that Allan after Timmy had flee North Adamsville when he “came out” to his parents who would subsequently disown him and a few friends, a few corner boys remained in North Adamsville after high school scorned him to go to gay and drag queen friendlier San Francisco in the post-Stonewall period had loaned, had given Timmy the money to buy and refurbish the run-down KitKat Club in North Beach. (Although everybody in Frisco knows him as Miss Judy Garland we all still call him Timmy so let me stick with that name.) So, yes, Alan was staying with his old friend, and mine too, at one of Timmy’s apartments above the club which he also owned trying to jump start his life. So much for unverified “facts.”   

Allan mentioned in his introductory piece to a series on Jack Kerouac the 50^th anniversary of whose death will be commemorated in 2019 that when we were corner boys, when we were hanging around Tonio’s Pizza Parlor in the early 1960s we would mercilessly gay-bait anybody who seemed the least bit, well, faggy, light on their feet, homo all the terms of approbation used at the time for gay-bashing. And here is what may startle the unwary reader Timmy Riley, football playing, rugged, pretty handsome and girl attractive was the leader of the pack. Moreover we did not, and I speak of this as both Allan and Timmy have with eternal shame, just talk the talk but would go down to Provincetown in high which we knew was “queer heaven” and not just gay-bash some poor unsuspecting guy but “lead” on to get somebody out in back of some bar and beat the shit out of the guy. And again Timmy would be in the lead. We were shocked, shocked to the core when we heard from Sonny Lewis that Timmy had “come out” had started painting his fingernails, and they had beaten him up one of the main reasons Timmy fled the town.   

What does all of this about an old gay and drag queen (they are not both the same, okay) corner boy from working class North Adamsville have to do with a famous movie star from our times like Rock Hudson. Well everything since, as the book and a documentary point out, Rock and a number of other he-man role male movie stars like Guy Madison, Rory Calhoun, and famously Tab Hunter had to stay deep, deep in the closet to maintain their livelihoods. To keep up the illusion, the movie theater illusion that every female movie-goer (and who knows now when you think about the matter some male movie-goers) that they could grab the guy for a boyfriend. Such was, and is, the Hollywood dream factory. Despite the fact that like the revelations long known in Hollywood about the “casting couch” culture which, male or female, depending on the predilections of the man in power, helped get you up the food chain the “gay community,” who was gay, who was sitting out in Malibu with a bunch of men, good looking athletic men without women.        

I am not sure how much trouble Rock got into, or avoided in having his male companionship and his affairs, before his public announcement of his AIDS condition (in those days a sentence of death) and the how and when he knew that he preferred men to women but we saw Rock, maybe not as the coolest guy around, maybe guys like Steve McQueen and Paul Newman were more our models of manliness, as a serious masculine figure especially when he was not doing that silly romantic comedy stuff that none of us could relate to. What I do know, do know from talking with both Timmy and Allan over the years that Timmy, and I assume Rock, paid a terrible psychic price for having to stay in the closet. Worse having to hide who they were, are against guys like the North Adamsville corner boys who were quick with fists and not understanding. So this does not do justice to the subject but RIP, Rock Hudson, RIP