Tell Me Rosalie Sorrels Have You
Seen Starlight On The Rails?-In Honor Of The Late Rosalie Sorrels
By Fritz Taylor
[This piece was written and in the
pipeline before the recent (2016) internal wrangle at this site about who would
write what and what kind of material would survive the posting wars so I asked
new site manager not to put the now familiar notice about job titles and
specialties beneath my by-line as he has done on most pieces submitted of late.
He has honored my request and this may yet lead to a cessation of the practice
since unless the reader has been privy to the vast inside information about the
replacement of old-time manager Allan Jackson (and in the interest of
transparency my old friend going back to Vietnam Veterans Against the War
(VVAW) by former American Film Gazette
editor Greg Green it poses more questions than it answers. In any case I will
keep my opinions to myself for now about whether we have just gone through a
purge and attempt to write Allan out of blogosphere history somewhat
reminiscent of the old Stalinist tricks trying to write (and airbrush) Russian
revolutionary Leon Trotsky out of history or a simple retirement of an eligible
candidate. Fritz Taylor
Every hobo, tramp, and bum and there
are social distinctions between each cohort recognized among themselves if not
quite so definitely by rump sociologists who lump them all together but that is
a story for another day has seen starlight on the rails. Has found him or
herself (mainly hims though out on the “jungle” roads) flat up against some
railroad siding at midnight having exhausted every civilized way to spent the
night. Has seen the stars out where the spots are darkest and the brilliance of
the sparkle makes one think of heaven for those so inclined, think of the void
for the heathen among them. Has dreamed dreams of shelter against life’s
storms.
But not everybody has the ability to
sing to those heavens (or void) about the hard night of starlight on the rails
and that is where Rosalie Sorrels, a woman of the American West out in the
Idahos, out where, as is said in the introduction to the song, the states are
square (and at one time the people, travelling west people and so inured to
hardship, played it square, or else), sings old crusty Utah Phillips’ song to
those hobo, tramp, bum heavens. Did it while old Utah was alive to teach the
song (and the story behind the song) to her and later after he passed on in a
singular tribute album to his life’s work as singer/songwriter/story-teller/
troubadour.
Now, for a fact, I do not know if
Rosalie in her time, her early struggling time when she was trying to make a
living singing and telling Western childhood stories had ever along with her
brood of kids been reduced by circumstances up against that endless steel
highway but I do know that she had her share of hard times. Know that through
her friendship with Utah she wound up bus-ridden to Saratoga Springs in the
un-squared state of New York where she performed and got taken under the wing
of Lena from the legendary Café Lena during some trying times. And so she
flourished, flourished as well as any folk-singer could once the folk minute
burst it bubble and places like Café Lena, Club Passim (formerly Club 47), a
few places in the Village in New York City and Frisco town became safe havens
to flower and grow some songs, grow songs from the American folk songbooks and
from her own expansive political commentator songbook. And some covers too as
her rendition of Starlight on the Rails attests to as she worked her way
across the continent. Worked her way to a big night at Saunders Theater at
Harvard too when she called the road quits a decade or so ago. So listen up,
okay.
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