Once Again On
Frederick Douglas-Happy 200th Birthday Brother We Have Not Forgotten
You Or Brother John Brown Either
In this 200th
birthday year of Frederick Douglas the revolutionary abolitionist and women’s
rights advocate we have been graced with radio programs dedicated to his
outstanding career. A new biography by Douglas Blight with many insights into this
brilliant orator, lecturer, advocate and activist against grim slavery for himself
and his people has been highlighted on several talk shows. Here’s a link to one
recent one on NPR’s On Point:
https://www.npr.org/2018/10/16/657512770/frederick-douglass-is-an-extended-meditation-on-the-legends-self-invention
And another
https://www.npr.org/2018/10/16/657512770/frederick-douglass-is-an-extended-meditation-on-the-legends-self-invention
This is what you need to know about Frederick Douglass and the anti-slavery, the revolutionary abolitionist fight. He was the man, the shining q star black man who led the fight for black men to join the Union Army and not just either be treated as freaking contraband or worse, as projected in early in the war by the Lincoln administration the return of fugitive slaves to “loyal” slave-owners. Led the fight to not only seek an emancipation proclamation as part of the struggle but a remorseless and probably long struggle to crush slavery and slaver-owners and their hanger-on militarily. Had been ticketed at a desperate moment in 1864 to recreate a John Brown scenario if they logjam between North and South in Virginia had not been broken. Yes, a bright shining northern star black man.
Josh White: Free and Equal Blues, Josh White, Smithsonian Folkway, 1998
Most of the points that I made in a previous review, the first two paragraphs of which are reposted below, of a Josh White DVD film documentary apply here as well.
"I have spent no little ink over the past year or so reviving memories of various folk and blues artists whose music helped me pass away my youth, a youth that otherwise would have been cluttered solely with little things like the fight for a more just society, attempts to understand history and, maybe as importantly, the individuals role in it-mine. As a part of that past I had spent more than a few Sunday evenings listening to a folk program on a local radio station. As a result I became very familiar with the name Josh White as an exemplar of soulful folk and blues tunes. And the first song that I recall hearing from this iconic figure?- "You, Can't Get No Bread With One Meatball". Go figure, right?
That oddly funny selection (not played here, although it would have been nice to hear it again), fortunately, does not reflect the very serious nature of Josh White's work, his personality and his struggle as a fighter for black liberation. We are treated to all aspects of that work in this one hour film of rare clips; mostly it appears to be material from early television performances. We are favored with the smooth voice, the strong guitar work (when required to give urgency to songs like the anti-Jim Crow ones presented here early on) and the sense of showmanship and professionalism that I remember the folk historian Dave Van Ronk mentioning concerning Josh's approach to performing. But what stand out here are the songs- from the intense "Strange Fruit" (an anti-Jim Crow song also covered in a different way by Billie Holiday) to a crowd-pleasing "Danny Boy". If this is your first exposure to this legendary figure in the folk and blues world then I would only state you have found a good place to start."
That said, it is only necessary to make a few extra comments here about the range of material that White was capable of delivering depending on audience and other circumstances but first this political comment. Smithsonian Folkway, almost by definition, provides great liner notes accompanying its productions. According to those provided here, written by folk historian Elijah Wald who has more recently written a biography of folk singer Dave Van Ronk, Brother White ran afoul of the House Un-American Activities Committee during the heart of the McCarthyite "red scare" campaign of the 1950's. While it is unclear whether White named names he did not, as was necessary, refuse to co-operate. This tarnished his reputation in the New York left-wing community. And it should have.
One can nevertheless understand why the various anti-red committees and others would have an interest in Brother White. I mentioned, for one, his version of the anti-lynching "Strange Fruit" above. How about Langston Hughes' "Freedom Road" for another. Or "Jim Crow". Or "Landlord". But, you get the drift. Then there is the less political stuff that still would have to be a little suspect once you realized this was someone trying to be a black liberation fighter, before it was fashionable (or safe). Here Cole Porter's "Miss Otis Regrets" is fine. As is "Careless Love" and Victoria Spivey's "T B Blues". And, of course, that above-mentioned "One Meatball". I wish Brother White had held up better politically but he has no problem standing up musically.
Freedom Road
written by: Langston Hughes, sung by:Josh White
Hand me my gun, let the bugle blow loud
I’m on my way with my head up proud
One objective I’ve got in view
Is to keep ahold of freedom for me and you
That’s why I’m marching, yes, I’m marching
Marching down Freedom’s Road
Ain’t nobody gonna stop me, nobody gonna keep me
From marching down Freedom’s Road
It ought to be plain as the nose on your face
There’s room in this land for every race
Some folks think that freedom just ain’t right
Those are the very people I want to fight . . .
United we stand, divided we fall
Let’s make this land safe for one and all
I’ve got a message and you know it’s right
Black and white together, unite and fight!
The Free and Equal Blues
variation written by: Josh White (a slightly different version was written originally by Yip Harburg)
I went down to that St. James Infirmary, and I saw some plasma there,
I ups and asks the doctor man, "Say was the donor dark or fair?"
The doctor laughed a great big laugh, and he puffed it right in my face,
He said, "A molecule is a molecule, son, and the damn thing has no race."
And that was news, yes that was news,
That was very, very, very special news.
'Cause ever since that day we’ve had those free and equal blues.
"You mean you heard that doc declare
That the plasma in that test tube there could be
White man, black man, yellow man, red?"
"That’s just what that doctor said."
The doc put down his doctor book and gave me a very scientific look
And he spoke out plain and clear and rational,
He said, "Metabolism is international."
Chorus
Then the doc rigged up his microscope with some Berlin blue blood,
And, by gosh, it was the same as Chun King, Quebechef, Chattanooga, Timbuktoo blood
Why, those men who think they’re noble
Don’t even know that the corpuscle is global
Trying to disunite us with their racial supremacy,
And flying in the face of old man chemistry,
Taking all the facts and trying to twist ëem,
But you can’t overthrow the circulatory system.
Chorus
So I stayed at that St. James Infirmary.
(I couldn’t leave that place, it was too interesting)
But I said to the doctor, "Give me some more of that scientific talk talk," and he did:
He said, "Melt yourself down into a crucible
Pour yourself out into a test tube and what have you got?
Thirty-five hundred cubic feet of gas,
The same for the upper and lower class."
Well, I let that pass . . .
"Carbon, 22 pounds, 10 ounces"
"You mean that goes for princes, dukeses and countses?"
"Whatever you are, that’s what the amounts is:
Carbon, 22 pounds, 10 ounces; iron, 57 grains."
Not enough to keep a man in chains.
"50 ounces of phosophorus, that’s whether you’re poor or prosperous."
"Say buddy, can you spare a match?"
"Sugar, 60 ordinary lumps, free and equal rations for all nations.
Then you take 20 teaspoons of sodium chloride (that’s salt), and you add 38
quarts of H2O (that’s water), mix two ounces of lime, a pinch of chloride of
potash, a drop of magnesium, a bit of sulfur, and a soupÁon of hydrochloric
acid, and you stir it all up, and what are you?"
"You’re a walking drugstore."
"It’s an international, metabolistic cartel."
And that was news, yes that was news,
So listen, you African and Indian and Mexican, Mongolian, Tyrolean and Tartar,
The doctor’s right behind the Atlantic Charter.
The doc’s behind the new brotherhood of man,
As prescribed at San Francisco and Yalta, Dumbarton Oaks, and at Potsdam:
Every man, everywhere is the same, when he’s got his skin off.
And that’s news, yes that’s news,
That’s the free and equal blues!
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